20 Mar 2017
Tags: assemblage, Catherine Moore Character Construction stamps, Character Construction, Character Constructions Stamps, driftwood, Ice Resin, PaperArtsy Fresco Finish Chalk Paint, published artwork, Redlead Paperworks, Resin paper, Somerset Studio, Stampington & co, That's Crafty Alterable Surface
To start this new week I thought I’d share something which I made last year, submitted to Somerset Studio’s colour challenge, the colour they stipulated was Olive. I was so thrilled to see this published in Somerset Studio Jan/Feb 2017.
Although I also submitted other projects, this was the first project made because I knew I wanted to use the stunning Character Constructions stamp, Inner Child No. 7 , a great favourite of mine.
Is she a friend to the birds, who are content with her sitting amongst them, or is it possible that she is one of them. Some say she has the voice of the sweetest nightingale.
(That’s Crafty is stocking a selected range but Laura Holland is willing to accept any enquiries for Character Constructions stamps which do not appear on the That’s Crafty website. If you are interested in placing a Special Order, then feel free to contact Laura)
A canvas board was the main substrate for this piece, with That’s Crafty MDF hearts.
The Character Constructions stamp is the focal, stamped onto a piece of leftover paper, painted with PaperArtsy Fresco and one of their glazes providing a sheen. You can just about see the sentiment “she hath wings”, a beautiful stamp, available from Redlead Paperworks.
All of those branches are fussy cut, yes, my hands were not so happy with me! You can find this branch on Character Constructions Queen of Tarts Plate 1
I allowed them to overhang, to give them impression that she really is nestled in the branches of the tree.
In all honesty, I am not sure I achieved the faux bark effect which I was aiming for on the That’s Crafty mdf hearts. Each has a stamped egg layered onto it, the stamped image has a thin layer of ICE Resin.
Scraps of resin paper also appear layered behind the heart and again on this piece of drifwood, layered with the Home Sweet Nest sentiment. Such a sweet sentiment from Character Constructions.
Thank you for your visit. I am trying to draft as many posts as possible, there seems to be so much catching-up to do!
21 Feb 2017
Tags: assemblage, collage, Grungepaste, nature, nature themed art, PaperArtsy Fresco Finish Chalk Paint, published artwork, Red Lead Paperworks, Redlead Paperworks, Somerset Studio, Stampington & co, That's Crafty Alterable Surface
I have a scheduled blog post for Wednesday but decided to sneak in a quick post which had already been drafted.
When Somerset Studio had a call for Olive submissions, I decided to go for it, not because olive is a favourite colour but as I associate it with nature and nature is a “theme” I am becoming more drawn to. Also, I have found the annual colour challenge to be that, a challenge, which I learn more and more, is so rewarding, obviously being published is the ultimate reward but the challenge to dip into colours I might not normally reach for, it is very freeing for me.
The main project I submitted, I’ll share another time but for this post, I wanted to share this collage, assemblage, call it what you will (!) which I was amazed to see in the Expressions category.
The beautiful leaf is from Redlead Paperworks Autumn Beauty Leaves set
Fragile is from a much loved Redlead Paperworks set, Fragile Nests
That’s Crafty Alterable Surfaces substrate and PaperArtsy Fresco Finish Green Olive
This is all about texture and unusually for me, although all the usual suspects appear, I left breathing space around the stamped focal. The texture was not me aiming to replicate anything specifically from nature but more a sense of evoking textures found in nature.
Fragments of tree bark bring another textural element to the collage/assemblage and heightened that sense of the natural.
I’m sure this isn’t weird for me to say – I can get so excited when textures come together – a painted scrap of found paper, a scrap of rusted fabric (plus a reminder to self to make more rusted fabric!) and stained calico and muslin.
Thank you so much for your visit and obviously, thank you to the Redlead Paperworks for their beautiful stamps and to Stampington and Company for printing this piece.
05 Feb 2017
Tags: assemblage, fabric, hearts, Lynne Perrella stamps, PaperArtsy, PaperArtsy Infusions, stained papers, stained trims, That's Crafty, That's Crafty Alterable Surface, That's Crafty DT artwork
Recently, for That’s Crafty blog posts, I have been sharing many Uprights so I thought I would dip into their earlier substrates and decided to work with one of the white/greyboard hearts, which were, along with the MDF hearts, great favourites of mine so long overdue to have a play again.
The focal is one of the beautiful new PaperArtsy Eclectica LPC stamps.
If you would like to read and see more, then please visit HERE.
Many thanks for your visit and also, thank you to my lovely friend Dorthe because she gifted to me that pretty sheer fabric with floral details.
30 Jan 2017
Tags: assemblage, Darkroom Door, Dinky Stencil, Dinky Stencils - That's Crafty, PaperArtsy Fresco Finish Chalk Paint, published artwork, Red Lead Paperworks, Redlead Paperworks, Somerset Apprentice, stained papers, Stampington & co, That's Crafty Alterable Surface
This post relates to Autumn last year when I had an assemblage published in Somerset Apprentice (Autumn 2016). Although I made an appearance in this magazine once before, as a “From The Pros”, this was my first article.
Somerset Apprentice has a different approach to other Stampington titles, with stepped-out projects, lots of detail photos, they are really tutorials.
This project was one of my most rewarding to work on, enjoying the creating and gathering of textures although always (and I do mean always) there are many changes I would make to it.
The assemblage has made an appearance from Stampington sharing it but I never got around to posting it until now.
A few shout-outs for some of the fabulous products:-
That’s Crafty – white/greyboard panel and Dinky Stencil
Darkroom Door Wings stamp set
Redlead Paperworks – Silken Wings
What has struck me, is that I do not take the pretty, feminine route with nature, I enjoy exploring neglect, derelict almost industrial, trying to evoke a sense of an area which is broken down, dis-used buildings with rusted metal and broken masonry, where a wildflower might be seen to burst through the cracked concrete ground.
In my introduction for the stepped-out project in Somerset Apprentice, I talk about this.
This Dinky Stencil (my preferred way of working is only randomly stenciling here and there and not actually working with the stencil as a whole) was an immediate favourite when I received it and continues to remain a much-loved stencil.
The gathering of textures was important for the feeling I was trying to convey, even the smallest fragment brings “something” to the piece as a whole.
It will all sound rather “deep” but the piece of tree bark symbolises the loss of trees, pushed aside to pave way for residential or industrial areas. Those boundaries on the edges of towns and cities where once, there would have been an abundance of natural habitat for wildlife. I see it where I live, it is a landscape in contrast to that which I remember from childhood.
Thank you so much for your visit. It feels good to be scheduling some regular blog posts and catching-up with projects that are getting to be months and months old!
29 Jan 2017
Tags: assemblage, Dinky Stencil, Dinky Stencils - That's Crafty, MDF, PaperArtsy Fresco Finish Chalk Paint, PaperArtsy Infusions, Sandra Evertson Relics & Artifacts, stained papers, stained trims, That's Crafty, That's Crafty DT artwork
Well, today’s post is in sharp contrast to the ice cream colours of the paper dolls I shared this past week, today we are firmly in distressed, aged, heavy on the texture type of mode!
This is a That’s Crafty Arch Upright which was made as a sample for one of their recent HOCHANDA shows. The regularity of me sharing Uprights is testament to how much I love to work with them. This is a full size Upright which is an incredibly generous size.
If you would like to see further details for this, then please visit HERE.
08 Jan 2017
Tags: assemblage, fabric, Paper Artsy, PaperArtsy, PaperArtsy Everything Art stamps, PaperArtsy Fresco Finish Chalk Paint, stamping onto fabric, That's Crafty, That's Crafty Alterable Surface, That's Crafty DT artwork
PaperArtsy Everything Art stamps have been a bit of a revelation for me. Like many of you, of course I was drawn to them but never imagined I would ink them up as often as I have been doing. The paint tube with the word courage, it seemed appropriate to include it in this project for my first post of the New Year for That’s Crafty.
When I made this, I never gave thought to the fact that it was this week that Wanderlust 2017 kicked off !
What courage will you seek in 2017 with your art?
Further details can be seen HERE.
Thank you so much for your visit.
30 Dec 2016
Tags: assemblage, bark, canvas, Crafty Individuals, Dinky Stencil, Dinky Stencils - That's Crafty, masks/stencils, mixed media, Paper Artsy, PaperArtsy, PaperArtsy Eclectica Sara Naumann, published artwork, Somerset Studio Gallery, Stampington & co
Appearing in Somerset Studio Gallery is such a wonderful way to end the year. This assemblage is another piece I am lucky enough to have published as a Spotlight, in this issue.
Tree – Crafty Individuals CI-450
Sentiment – PaperArtsy ESN
Dinky Stencil – That’s Crafty Snowflake Background
I was trying to convey peace, stillness, on a winter day with the low winter sun dancing on the frosted landscape, the only sound the crunch underfoot on the snow impacted ground.To heighten the natural and organic feel to the panel, the tree was stamped onto some mop up/under paper which does result in a less than perfect stamped impression but for this, it was exactly what I was aiming for.
When I first started to stamp, I would have thought a less than perfect stamped impression was good for only one thing, being tossed into the rubbish bin but now, there is great freedom and sense of satisfaction when a perfectly imperfect impression actually adds more to a project.That’s Crafty greyboard snowflakes, oh I just love them. The snowflake brings the eye towards the textural layers.
With the colour palette silvery white with mere hints of gold, this representing the golden glow of the winter sun.Thank you to anyone who takes the time to visit, especially at this time of the year when there is great demands on your time….so Thank You!