It was in the ocean…. (@That’s Crafty)

Hello
I had fun working on this project for That’s Crafty.  This is only a sneaky peek, if you would like to, you can view the full project along with instructions, etc, HERE.
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Thank you so much for your visit.
Wishes
Lynne

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Springtime In The Secret Garden (Somerset Studio)

Hello
Somerset Studio set Challenge Calls, always with wonderful themes.  Last year, one of the themes was In The Garden, with the results published in the Mar/April issue. On receiving my complimentary issue, for articles published, as I flicked through the magazine, I was delighted to see that two assemblage panels submitted in answer to that challenge call, were published.
Redlead, in my mind, have some of the most beautiful bird themed stamps available. The birds that feature on each assemblage are from the Perching Birds set.
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Even though I stamped onto watercolour paper, the beautiful detail of the stamp was still captured.
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Redlead’s sentiments/labels are amongst my most inked up.  I never tire of them. This label is from the Little Labels: A Little Bird Told Me (as is the Secret Garden label).
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This stencil is a Dinky Stencil (That’s Crafty), Abstract Stone., one of my great favourites.
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Nothing compares, in my mind, to aged papers, this was from my dear friend Dorthe, I simply stamped the Red Lead label onto it and layered it to a tattered elements.
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The second panel
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which is really a partner to the first.
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Forming little tattered gatherings, such as this, is my place of contentment.
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I liked the crafted texture of the Dinky Stencil Brick alongside the natural texture from the tree bark.
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Thank you so much for your visits and loyalty.
Wishes
Lynne

The Long Forgotten Garden (@ PaperArtsy)

Hello
This evening, I am sharing a post over at PaperArtsy.
It is wonderful to be back there, where I am sharing a project relating to Topic #4 Doors, Windows and Architecture.  All the details, the inspiration can be seen in the post, HERE.
This wasn’t the easiest of projects to photograph!
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opened up…..
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PaperArtsy ESC (Scrapcosy) stamps and stencils used throughout alongside, fabulous Infusions on a That’s Crafty House Triptych 
Thank you for your visit to this post and all posts this past week.
Wishes
Lynne

Royal Blood (The Stampers’ Sampler)

Hello
This collection of six cards, appears in the Jan/Feb/March issue of The Stampers’ Sampler. 
It meant so much to me that they published all six in a feature over three pages.
All stamps are PaperArtsy LPC and all feature Infusions, Royal Blood.
They are some of the oldest LPC stamps but for me some were inked up for the first time for this collection.
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Some rusty wire coils.  The colour of the rusty wire worked so well against the Royal Blood Infusions.
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It’s no surprise that scraps were utilised throughout the cards such as little stamped elements added here and there.
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Card No. 2
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Card No. 3
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Mop-up papers bring texture.  I stamped onto them, even though the stamped images are not crisp, it still brings something extra to the effect.
A wisp of coppery fabric.
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Card No. 4
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I liked the watercolour effect achieved.  If you are interested, it is actually watercolour paper I worked with for the backgrounds and stamped focals,  HP and NOT.
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Card No. 5
On this card, I also used Infusions with a That’s Crafty Dinky Stencil, creating a hint of pattern on the base of the card
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More scrappy mop-ups and another piece of that lovely copper fabric which lovely Dorthe gifted to me.
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Card No. 6
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I like that texture of the mop-up paper (kitchen paper towel) adds dimension even when stamped upon.
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It’s all about the layers – this stamped piece of mop-up paper layered onto the stamped focal.
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Thank you, always for your visits.
Wishes
Lynne

Art House (new product launch @ That’s Crafty)

Hello
That’s Crafty are launching new products at Stitches and I was lucky enough to have the new items to play with, to create samples.
Laura suggested I share the samples as DT projects so I decided to share the first one I made.  Foolishly, I forgot to take dimensions but this is large!  If you own the PaperArtsy EEA alphabet set, it will give you an idea of the proportions of the stamping against the frame of the shrine.
You might believe I would be enthusiastic about the shrines because I am on the That’s Crafty DT and feel obligated to be positive, that is not the case.
The shrines will be available in different sizes so if you wanted a statement piece, then the large shrines will be perfect or you might prefer a cluster of smaller shrines – variety and choice can only be a good thing!  The actual shrines are easy to assemble, no special items required other than your favourite, reliable adhesive (I use Regular Matt Gel Medium). There is generous depth to the shrines, you can see I managed to prop a mini canvas with easel into the shadowbox.
Many new(ish) products appear on this shrine, the full list can be seen HERE.
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All details including more photos can be viewed at the That’s crafty blog.
Thank you for your visit.
Wishes
Lynne

Silken Wings (Somerset Apprentice)

Hello
This post relates to Autumn last year when I had an assemblage published in Somerset Apprentice (Autumn 2016).  Although I made an appearance in this magazine once before, as a “From The Pros”, this was my first article.
Somerset Apprentice has a different approach to other Stampington titles, with stepped-out projects, lots of detail photos, they are really tutorials.
This project was one of my most rewarding to work on, enjoying the creating and gathering of textures although always (and I do mean always) there are many changes I would make to it.
The assemblage has made an appearance from Stampington sharing it but I never got around to posting it until now.
A few shout-outs for some of the fabulous products:-
That’s Crafty – white/greyboard panel and Dinky Stencil
Darkroom Door  Wings stamp set
Redlead Paperworks – Silken Wings
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What has struck me, is that I do not take the pretty, feminine route with nature,  I enjoy exploring neglect, derelict almost industrial, trying to evoke a sense of an area which is broken down, dis-used buildings with rusted metal and broken masonry, where a wildflower might be seen to burst through the cracked concrete ground.
In my introduction for the stepped-out project in Somerset Apprentice, I talk about this.
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This Dinky Stencil (my preferred way of working is only randomly stenciling here and there and not actually working with the stencil as a whole) was an immediate favourite when I received it and continues to remain a much-loved stencil.
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The gathering of textures was important for the feeling I was trying to convey, even the smallest fragment brings “something” to the piece as a whole.
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It will all sound rather “deep” but the piece of tree bark symbolises the loss of trees, pushed aside to pave way for residential or industrial areas.  Those boundaries on the edges of towns and cities where once,  there would have been an abundance of natural habitat for wildlife.  I see it where I live, it is a landscape in contrast to that which I remember from childhood.
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Thank you so much for your visit.  It feels good to be scheduling some regular blog posts and catching-up with projects that are getting to be months and months old!
Wishes
Lynne

To Dare

Hello
Well, today’s post is in sharp contrast to the ice cream colours of the paper dolls I shared this past week, today we are firmly in distressed, aged, heavy on the texture type of mode!
This is a That’s Crafty Arch Upright which was made as a sample for one of their recent HOCHANDA shows.  The regularity of me sharing Uprights is testament to how much I love to work with them.  This is a full size Upright which is an incredibly generous size.
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If you would like to see further details for this, then please visit HERE.
Wishes
Lynne

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