Sharing cards that appear in this issue of The Stampers’ Sampler
The cards are small in size, approx 3″x4.5″, the size dictated by the wee kraft envelopes.
Some links to the fabulous products I used on the cards:-
Redlead Paperworks stamps – Christmas stamps (She Loves Snowflakes and Winter Wishes stamps were available at the time of drafting this post and the sentiments labels are also available)
Oxford Impressions stamps Season of Giving stamp set (the boy and the two children)is available in the U.K. from That’s Crafty.
That’s Crafty Dinky Snowflake background stencil and Greyboard Snowflakes
The co-ordinating envelope is peeking at the background.It is only the past couple of years that I have felt comfortable in using red for festive creations. With the stamps I selected (above and below are Redlead), it brings a touch of nostalgia.
The two cards below are Oxford Impressions stamps, photo real stamps. The stamped image of the boy has been troubled with what obviously was sun reflecting off the glossy cardstock.
The snowflake Dinky Stencil is much loved by me, you just need to take one look at the stencil I own and it is evident how much I love it, it isn’t exactly box fresh! The greyboard snowflake is another favourite. I used them so often on festive/winter creations last year.Each card does have a pocket/envelope even though they do not appear in all the photos. They can be seen in The Stampers’ Sampler as they took the trouble to print them all.Thank you so much for your visit to this post, my first for this brand new week.
If you are preparing for the festivities, I hope your plans are going according to plan and it isn’t too stressful a time.
21 Nov 2016 13 Comments
in Uncategorized Tags: cards, Christmas, Dinky Stencil, Dinky Stencils - That's Crafty, masks/stencils, Oxford Impressions, photo realistic, photo realistic stamps, published artwork, Red Lead Paperworks, Redlead Paperworks, Stampington & co, That's Crafty DT artwork, The Stampers' Sampler
08 May 2016 14 Comments
in Uncategorized Tags: Creative Paperclay, Dinky Stencil, Dinky Stencils - That's Crafty, lace, masks/stencils, mixed media, moulds, Oxford Impressions, paint effects, PaperArtsy Infusions, photo realistic, photo realistic stamps, stained trims, That's Crafty DT artwork
For That’s Crafty, this week I inked up one of my all time favourite photo real stamps from Oxford Impressions, a stamp I am always drawn to at this time of the year. Alongside an old favourite, some new favourites:- PaperArtsy Infusions, Prima IOD Mould.If you are interested, all details can be found on the post, HERE.
27 Jul 2015 19 Comments
Last week I shared with you Part I of this post, well here I am, ready to share the remainder of the cards which Take Ten published, all featuring beautiful stamps from Oxford Impressions’ Field Notes stamp set.
This shell stamp is lovely and considering it is a photo real stamp which are not always successful when stamped onto textured paper, all the detail of the shell has been retained.A scrap of bark which has no relation to the shell. I simply liked the texture.A piece of torn, stamped script layered with mica, stained seam binding, topped with a jute bow.Another photo real stamp.Stamped three times. Once onto the base and twice, fussy cut and layered, off-setting the angle slightly, then simply adorned with a pressed flower.I paired the two leaf stamps for this card.As with the previous card, I stamped the Gingko leaf twice, allowing me to layer onto the main image, creating dimension.The final card has a pear for the focal which I paired (should that be peared ….. Groan!) with a text stamp from another Oxford Impressions set, Le Jardin (also available from That’s Crafty).A scrap of mica highlights the stamped word, Poire.
So there we have it, the final cards in this collection and have now shared with you all the cards published in the Spring issue of Take Ten.
It always makes me so happy when I have any submissions published and I greatly appreciate Stampington’s support BUT I also appreciate and never take for granted how lucky I am to share publication news with you and artwork which makes it to print.
17 Jul 2015 19 Comments
Another instalment of “We Asked The Artists” has been posted on the Stampington & co Blog, Somerset Place.
Not only was it an honour to be part of this it was also interesting to ponder upon the answers for each individual question posed to me (and obviously the others). For my response to this particular question I knew that I had to give a nod to all of the lovely friends of my Blog, who have been incredibly loyal to me. In recent times my style has taken a slightly different direction as I ink up stamps which I might have otherwise overlooked and also dabbling with colour. So many of you could have easily abandoned me at this time but no, you continue to be there as a wonderful source of support and encouragement. It was actually so many of you who allowed me to take that step. Back when I was on the DT for Gecko Galz and the commitments that entailed, I created this canvas, HERE. To be honest, at the time I did not care for the result, it was more a matter of being relieved that I had created a project in time for the deadline. The feedback I received bowled me over, I was completely shocked and it stopped me in my tracks. It was almost as though your words gave me permission to step outwith my comfort zone. I can say that you gave me a gift, without you realising it. I will always be a vintage, shabby style of girl at heart but it has been freeing to simply find the unadulterated fun of playing once again.
The image they have shown beside my response features Oxford Impressions stamp, The Reader, from the Soul of the Rose set (pen stamp also Oxford Impressions) available from Oxford Impressions and That’s Crafty. It features in this original post from when it was published in Somerset Studio Gallery.
Thank You for your visit to this post. If you want to read my response to Somerset Place’s question then you can read it HERE along with the responses from artists such as Renee Zarate, Septh Apter, Sandra Evertson and many more.
Oh, by the way. The canvas created for Gecko Galz which I didn’t really like, I sort of viewed it differently after it was published in Somerset Studio Gallery!!!
14 Jul 2015 18 Comments
In the Summer issue of Take Ten I have a few cards published (can never believe how lucky I am). One of the features is “What Fine Gentlemen”.
This collection I had completely forgotten about! When I looked at my notes, it was 2013 they were mailed to Take Ten. Not that it matters to me if it is a quick turnaround or a longer wait, it is just brilliant that they liked them enough to publish them! I had planned to share these with you in time for Father’s Day but as you can see, I missed the boat!!!
Although it is a long time ago when I made them, I can remember how they came about. Amongst some craft goodies I received a set of Rebecca Sower stickers. The stickers were nice in themselves but I saw the possibility of using them as a stamping surface. With their vintage style it seemed they would be well suited to a masculine collection. For some time I had wanted to make a collection featuring Oxford Impressions’ photo real stamps of gents as most times it is the female photo real stamps that I play with.
All of the photo real stamps were stamped onto glossy cardstock with Archival ink and I always use a Speedball brayer. That’s my preference but I know stampers who prefer to use Staz-on.
I know I am repeating myself but I never request the return of any submissions. That means, if I am pushed for time, trying to get submissions into the mail, then I don’t have the time to deliberate over photographs. The colours look a bit washed out here. I used a soft cream cardbase with Caran d’ache NeoColor II, in deep brown, sepia and bronze to create the splatters.
The stickers had a very shiny surface so I used Staz-on, Timber Brown. It didn’t trouble me if the stamped image wasn’t the perfect size for the actual stickers. I wanted this detail to mimic an official mark in a passport or other such documentation. Hello Sailor! Torn cork brings texture.
I wanted all the cards to be relatively flat, the stickers are really the main embellishments but I also wanted texture, the cork suited the purpose as did a piece of torn packaging. He looked the type of gent who would smoke a pipe.The final card – A Man of Learning. . This stamp is without a doubt my most used masculine photo real stamp, inked up countless times since I first got the April In Paris stamp set.
Pen nibs, where would we be without a pen nib stamp in our stash!I dipped into many Oxford Impressions stamp sets for this quartet. You can source some of the stamps at That’s Crafty and of course at the Austen Gallery which is the Oxford Impressions on-line store.
Thank You to Take Ten for publishing this wee collection in the Summer issue and many thanks to you for taking the time to view them.
12 Jul 2015 15 Comments
My DT post this week, over at the That’s Crafty Blog, sees me sharing a card I made for a dear friend. I wanted the mix of the photo real stamp set against a mixed media background. The project can be viewed HERE.
14 Jun 2015 15 Comments
This is a peek at my project for That’s Crafty, me in my comfort zone of vintage with a photo real stamp taking centre stage on the project.The full project can be viewed HERE.
Enjoy your day.