To start this new week, I am winding the clock back to last year, to Somerset Studio’s Nov/Dec 2016 issue. One of the articles I was lucky enough to have published was centred around a collection of small canvases, all with a message relating to mindfulness. The introduction in the article is where I speak about the motivation and what I was aiming to creating and how Christen Hammon’s Editor’s Letter in an issue of Somerset Life, was the springboard of inspiration for me.
If you read this post, you will notice that I share a simple presentation idea, this is because I saw the canvases as being suitable as gifts for anyone who might be needing to pause and breathe.
The RELICS & ARTIFACTS hand is only there as a prop.
All of the canvases feature a PaperArtsy Eclectica ESN sentiment. ESN are designed by Sara Naumann, for PaperArtsy and they are probably my most inked up PA stamps.
The sentiments are stamped onto various found papers, nothing fancy, regular papers from around the home. I also stamped smaller elements either onto more found papers or directly onto the canvas, such as the numbers at the top edge of the Golden Hours canvas.
Simply embellished with crushed velvet ribbon, MOP buttons, rhinestones, etc.
Little layered elements such as the layered found paper which had some gold paint applied, the crushed velvet ribbon and the MOP button.
I was trying to achieve a timeless quality to them, a distressed effect, a timeworn look to the canvases, yet with a hint of old style glamour with my choice of embellishments and use of gold.
The details really are the tiniest of fragments. Can you see how small those rhinestones are? Three lined up on the velvet ribbon.
This canvas has numbers stamped onto the canvas to create a border effect before the layers were added.
I so love when ordinary papers and I do mean ordinary, can be given a touch of elegance by the addition of rhinestones or a sweet MOP button. Funny how details like this can make my heart sing.
A cluster of the canvases, all with simple presentation and each topped with a stamped word from Darkroom Door’s Word Block Wellbeing. For me, Darkroom Door’s Word Blocks are indispensable. I haven’t yet managed to own them all but some are great favourites, this is one of them as there is a beautiful selection of words which I’ve used on all manner of projects.
A swipe of Gesso highlights the texture of the scrunched paper.
Each word layered with burlap,
with a repeat of details appearing on the canvases.
For variation, one of the canvases is presented in a fabric bag, the mini easel also included.
Thank you so much for your visit. I hope it was a restful post to view and a chance to seek mindfulness during your visit.
10 Apr 2017 9 Comments
03 Apr 2017 9 Comments
in Uncategorized Tags: cards, Catherine Moore Character Construction stamps, Character Construction, Character Constructions Stamps, Darkroom Door, published artwork, Stampington & co, The Stampers' Sampler
To start the week, I thought I would share four cards which appear in The Stampers’ Sampler.
It was actually the packaging for RELICS & ARTIFACTS, which I had also used as a substrate for this collection, HERE ,which led me to make the cards. I deliberately limited myself to the stamps I inked up and also embellishments, you can see they are minimal, only tiny little accents.
Character Constructions Stamps.
French Laundry No. 11 (female/upper torso and arms) available from That’s Crafty and direct from Character Constructions
French Laundry No. 5 (dress)
Mad Tea Party No. 8 (parasol)
The dress was stamped directly onto the re-cycled RELICS & ARTIFACTS packaging, dressing it up with tiny pieces of fabric
giving the gown a lacy collar.
This is one of my oldest Character Constructions stamps, she is much loved by me.
I like the way the design on the packaging shows through the stamped image.
Little shabby details such as Paris stamped onto some found/re-cycled paper and a fabric scrap layered with another stamped piece.
What I have learned is that proportions do not need to be accurate when working with Character Constructions stamps. It is very freeing not to be bound by such constraints although it has taken me a long time to be comfortable with doing so!
A snippet of lace and pearl detail to embellish the gown.
Darkroom Door stamped stitches directly onto the packaging and also onto brown found/re-cycled paper.
I like the effect the stamped stitches bring to the cards.
I like adding small details, tactile details.
There we have it, the first post for this new week. I don’t know about any of you but I cannot believe it is April already!
28 Mar 2017 14 Comments
in Uncategorized Tags: Catherine Moore Character Construction stamps, Character Construction, Character Constructions Stamps, gift ideas, gift presentation, published artwork, Stampington & co, Willow and Sage
One of the surprises in 2016 was being published in Stampington & Co’s Willow and Sage, a magazine devoted to homemade bath/beauty products.
Before I began stamping, I enjoyed blending my own aromatherapy essential oils and one day, I would really like to try making lip balms, soaps, etc but that time isn’t for now so imagine my delight when opportunity knocked on my door (actually, my laptop!) when I was approached to create packaging idea for this magazine which they, thankfully liked and published (posts can be seen HERE and HERE). In the Winter 2017 issue I was once again grateful to find myself published, this time taking the packaging idea further by making lavender sachets.
The springboard for this idea was, believe it or not, packaging! When my friend Vickie mailed a gift to me, inside the box was some interesting white fabric style paper, I can only describe it as not dissimilar to tumble dryer laundry sheets but firmer and a generous size. I was sure it would contain lavender buds but also allow the scent to emit. I managed to make five sachets in total.
First, the bundle of three, tied together with re-cycled sari silk chiffon ribbon. Maybe I am easily pleased but there is so much joy in knowing you have the most perfect stamp for an occasion. I remembered the Lavender stamp from Character Constructions Mad Tea Party No. 8, it could not be more perfect to stamp onto the re-cycled tag which I painted with Gessso, with a small sprig of lavender as a sweet detail.
This is the trio of sachets.
Willow and Sage is not a stamping magazine but I knew the sachets needed something, the fabric paper was too plain and yet I didn’t want to stamp anything too dominant. It suddenly dawned on me, I had Stampington & Co stamps designed by Christine Adolph. I used Trims 4 images
For one of the sachets, a lovely scrap of grosgrain ribbon stitched to the sachet, allowing the lavender sprig to be held in place.
All the stamping was done before filling the sachets with the dried lavender buds.
I wanted a subtle effect to the stamping and the timing was just right as my ink pad was becoming dry and ordinarily I would have re-inked but it gave me the subtle effect i wanted.
This sachet could be presented in the white paper pocket and when removed, it can be suspended from the loop, formed from grosgrain ribbon.
Thank you so much for your visits. With struggling to keep up with blog visits and Facebook, I did consider if I should put my blog posts on hold. It seems cheeky to try and schedule blog posts when I am struggling so much to keep up with all of you wonderful people. My concern is, if I step away for a designated period of time, that time will lengthen and then I would probably never return to keeping the blog active.
Your words of support mean a great deal to me.
22 Mar 2017 11 Comments
in Uncategorized Tags: cards, collage, Dinky Stencils - That's Crafty, Lynne Perrella stamps, masks/stencils, mixed media, PaperArtsy, PaperArtsy Infusions, published artwork, rusty wire, stained papers, stained trims, Stampington & co, The Stampers' Sampler
This collection of six cards, appears in the Jan/Feb/March issue of The Stampers’ Sampler.
It meant so much to me that they published all six in a feature over three pages.
All stamps are PaperArtsy LPC and all feature Infusions, Royal Blood.
They are some of the oldest LPC stamps but for me some were inked up for the first time for this collection.
Some rusty wire coils. The colour of the rusty wire worked so well against the Royal Blood Infusions.
It’s no surprise that scraps were utilised throughout the cards such as little stamped elements added here and there.
Card No. 2
Card No. 3
Mop-up papers bring texture. I stamped onto them, even though the stamped images are not crisp, it still brings something extra to the effect.
A wisp of coppery fabric.
Card No. 4
I liked the watercolour effect achieved. If you are interested, it is actually watercolour paper I worked with for the backgrounds and stamped focals, HP and NOT.
Card No. 5
On this card, I also used Infusions with a That’s Crafty Dinky Stencil, creating a hint of pattern on the base of the card
More scrappy mop-ups and another piece of that lovely copper fabric which lovely Dorthe gifted to me.
Card No. 6
I like that texture of the mop-up paper (kitchen paper towel) adds dimension even when stamped upon.
It’s all about the layers – this stamped piece of mop-up paper layered onto the stamped focal.
Thank you, always for your visits.
20 Mar 2017 13 Comments
in Uncategorized Tags: assemblage, Catherine Moore Character Construction stamps, Character Construction, Character Constructions Stamps, driftwood, Ice Resin, PaperArtsy Fresco Finish Chalk Paint, published artwork, Redlead Paperworks, Resin paper, Somerset Studio, Stampington & co, That's Crafty Alterable Surface
To start this new week I thought I’d share something which I made last year, submitted to Somerset Studio’s colour challenge, the colour they stipulated was Olive. I was so thrilled to see this published in Somerset Studio Jan/Feb 2017.
Although I also submitted other projects, this was the first project made because I knew I wanted to use the stunning Character Constructions stamp, Inner Child No. 7 , a great favourite of mine.
Is she a friend to the birds, who are content with her sitting amongst them, or is it possible that she is one of them. Some say she has the voice of the sweetest nightingale.
(That’s Crafty is stocking a selected range but Laura Holland is willing to accept any enquiries for Character Constructions stamps which do not appear on the That’s Crafty website. If you are interested in placing a Special Order, then feel free to contact Laura)
A canvas board was the main substrate for this piece, with That’s Crafty MDF hearts.
The Character Constructions stamp is the focal, stamped onto a piece of leftover paper, painted with PaperArtsy Fresco and one of their glazes providing a sheen. You can just about see the sentiment “she hath wings”, a beautiful stamp, available from Redlead Paperworks.
All of those branches are fussy cut, yes, my hands were not so happy with me! You can find this branch on Character Constructions Queen of Tarts Plate 1
I allowed them to overhang, to give them impression that she really is nestled in the branches of the tree.
In all honesty, I am not sure I achieved the faux bark effect which I was aiming for on the That’s Crafty mdf hearts. Each has a stamped egg layered onto it, the stamped image has a thin layer of ICE Resin.
Scraps of resin paper also appear layered behind the heart and again on this piece of drifwood, layered with the Home Sweet Nest sentiment. Such a sweet sentiment from Character Constructions.
Thank you for your visit. I am trying to draft as many posts as possible, there seems to be so much catching-up to do!
21 Feb 2017 10 Comments
in Uncategorized Tags: assemblage, collage, Grungepaste, nature, nature themed art, PaperArtsy Fresco Finish Chalk Paint, published artwork, Red Lead Paperworks, Redlead Paperworks, Somerset Studio, Stampington & co, That's Crafty Alterable Surface
I have a scheduled blog post for Wednesday but decided to sneak in a quick post which had already been drafted.
When Somerset Studio had a call for Olive submissions, I decided to go for it, not because olive is a favourite colour but as I associate it with nature and nature is a “theme” I am becoming more drawn to. Also, I have found the annual colour challenge to be that, a challenge, which I learn more and more, is so rewarding, obviously being published is the ultimate reward but the challenge to dip into colours I might not normally reach for, it is very freeing for me.
The main project I submitted, I’ll share another time but for this post, I wanted to share this collage, assemblage, call it what you will (!) which I was amazed to see in the Expressions category.
The beautiful leaf is from Redlead Paperworks Autumn Beauty Leaves set
Fragile is from a much loved Redlead Paperworks set, Fragile Nests
That’s Crafty Alterable Surfaces substrate and PaperArtsy Fresco Finish Green Olive
This is all about texture and unusually for me, although all the usual suspects appear, I left breathing space around the stamped focal. The texture was not me aiming to replicate anything specifically from nature but more a sense of evoking textures found in nature.
Fragments of tree bark bring another textural element to the collage/assemblage and heightened that sense of the natural.
I’m sure this isn’t weird for me to say – I can get so excited when textures come together – a painted scrap of found paper, a scrap of rusted fabric (plus a reminder to self to make more rusted fabric!) and stained calico and muslin.
Thank you so much for your visit and obviously, thank you to the Redlead Paperworks for their beautiful stamps and to Stampington and Company for printing this piece.
17 Feb 2017 5 Comments
in Character Constructions Stamps, Uncategorized Tags: Art Doll, Catherine Moore Character Construction stamps, Character Construction, Character Constructions DT, Character Constructions Stamps, Darkroom Door, home decor, paint, PaperArtsy Fresco Finish Chalk Paint, published artwork, Red Lead Paperworks, Redlead Paperworks, Somerset Studio, Stampington & co
Today sees the final Somerset Art Gal being shared.
Once again, the same stamp companies:- Character Constructions for all the paper doll elements, including the bodice and skirt. The words dangling from her wrist are from Darkroom Door Creative Word Block and the stamps appearing on the outsize wooden peg are Redlead Paperworks. The paints are PaperArtsy Fresco Finish (available from That’s Crafty)
This Art Gal does not believe in a minimal approach. She is happiest with her many paintbrushes surrounding her.
Personally, I’ve never liked tattoos but when I was inking up (no pun intended!) the paper dolls, onto some lovely vintage French receipt paper, I thought it would bring a fun twist to incorporate the script, as though it were tattoos. With tattoos being popular amongst artists, it just seemed cool to do this. This Art Gals is into her tattoos in a big way!
It just so happened I had Frescos in colours that worked perfectly with the colours of the Somerset Studio Artist Paper. I like nothing more than when I can make something my own and not only that, the finger painted mark making also brought texture to the paper.
You can just about make out the paint and stamping on the outsize wooden peg.
Thank you for your visits to the Somerset Art Gal. They were great fun to make. They were time intensive but somehow, that was okay, enjoying the process of making the Artist Papers my own, creating the characters of the dolls with the individual stamps but poor fingers are not happiest when having such a big fussy cutting session!
There will be new Character Constructions stamps available any day now – it’s possible they will be available by the time this post goes live – The Daisy Blue Collection. For many, resistance will be futile!